Director : Etienne de Crecy
Production : Kiss & Kill
VFX : Maël Gaumont
Tasks and Artistic Solutions in Color Grading – “Smile”
Colorist: Alice Syrokvash.
The color grading work aimed to achieve the following:
The urban imagery is conceived as a gentle musical pulse — a postmodern mosaic of city life, subtly referencing the aesthetic of Pulp Fiction. Despite this energetic undercurrent, the color palette remains restrained: pastel tones serve as the foundation.
Pastel hues are not chosen arbitrarily — they shape the entire narrative on multiple levels.
echo the Japanese wabi‑sabi aesthetic: soft sakura hues evoke the fleeting nature of moments and the beauty of imperfection;
allude to the universal symbol of spring — a time of renewal and gentle beginnings.
in an age of information overload, the pastel palette acts as «eye anesthesia» — it clears the frame, leaving room to breathe;
emphasizes clean lines and compositional clarity without overwhelming the viewer;
embodies the idea of returning to basics: simplicity of form paired with depth of meaning.
The selected tones embody a delicate balance:
-between softness and depth;
-between simplicity and sophistication;
-between the raw reality of the street and the artistic abstraction of VFX.
Through color grading, Alice Syrokvash communicates:
a quest for harmony and tranquility;
a sense of naturalness and openness;
space for the viewer’s personal associations, while preserving a unified stylistic code.
Thus, color becomes not merely a design tool but an autonomous narrative — a quiet yet expressive voice within the video.